![]() Raw misogyny of these films is really alarming they would cause an uproar in the west were Writing about the most violent and pornographic Category III movies, scholars Darrell W Davis and Yeh Yueh-yu commented that, “The cruelty and Perhaps the most startling thing about these shocking films is the level of acceptance that Hongkongers have towards them. Pretty Woman – not the Julia Roberts vehicle but a film in which an office girl is raped and murdered, then replaced with a lookalike – was a smash hit in 1991, earning $30 million at the box office – a total comparable to that year’s John Woo/Chow Yun-fat collaboration Once a Thief. What’s more, not only were many of these risqué films made, a decent number of them were actually popular. During their 90s heyday, it is estimated that around 25 percent of all locally produced films fell into this classification. ![]() Yet despite often pushing the envelope, Category III films have been a core part of Hong Kong cinema for the last 30 years. As such, it’s nearly impossible to define Category III films according to their content. Films as varied as the titillating Sex and Zen 3D, pro-tobacco romcom Love in a Puff, gore-fest The Story of Ricky and Wong Kar-wai’s gay romance Happy Together have all been slapped with the same adult rating. (Director Mou Tun-fei would later claim that the cat was covered in honey and that the rats were merely licking the honey off of the feline, which he claims survived.)Īlthough Category III productions are often lumped together as if they were an extreme genre unto themselves, this is a misleading error. Hk cat iii movie skin#The film is a cavalcade of bad taste: footage from a real-life autopsy is included, the skin and muscle of a woman’s arms are peeled off down to the bone, and a real cat is fed to a swarm of hungry rats. Released in 88, the film portrayed, in graphic detail, the actions of Unit 731, the notorious covert research unit of the Imperial Japanese Army that performed lethal human experiments during the Second Sino-Japanese War. ![]() While certain films helped push the drive towards strict classification – John Woo’s seminal A Better Tomorrow, from 1984, received criticism for making heroes of gangsters – it was the infamous Men Behind the Sun that proved to be the true catalyst. Before the establishment of proper film classifications, there was just a set of loose guidelines that decreed, for instance, that criminals could not be shown to get away with their crimes. There was a government censorship body prior to 1988, but it had no legal power to censor films. The classification was created in 1988 with the passing of Hong Kong’s film censorship law. In strict legal terms, a Category III film is one forbidden to any viewer under the age of 18. ![]() Reader, say hello to The Untold Story, part of the wonderful world of Hong Kong’s Category III films, home to the worst excesses of our city’s cinematic offerings. How are the corpses hidden? Why, they’re diced up and served to hungry workers in tasty char siu bao. Two have their throats slit, one is visibly decapitated – a curtain of gore cascading down as her head rolls off the table – and the last is mercifully dispatched offscreen. ![]() The killer then turns his attention to the couple’s four young daughters. Her husband goes next, a blade puncturing his neck. The mother is dispatched by several intestinal-shredding knife wounds. ![]()
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